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by Joy Harjo
When the Poet Laureate of the United States writes a memoir, you can expect it to deviate from the standard timeline format, and Joy Harjo’s Crazy Brave is anything but formulaic. She divides her book into four parts according to compass directions. As a Creek Indian, directions, nature, art, music, and family provide her orientation to life. Each section begins with poetic prose.
“East is the direction of beginnings.” She begins her tale this way and it is a little difficult to settle into the story as she shares her views from the eyes of a child filled with a mix of fear and adoration.
“North is the direction where the difficult teachers live.” In the second section, Harjo shares the realities of a brutal and abusive childhood in a time and culture that viewed spousal and child abuse and drunkenness as family problems to be either dealt with or endured within the family. After I read the book, I learned later through a webinar that this section was a very difficult one for Harjo to write. In fact, she got stuck for years on this part of her story with the book taking fourteen years to complete. There is redemption in her story, however, as education offers Harjo, as a teenager, a way out of her circumstances.
“West is the direction of endings.” In this section, Harjo describes her young adulthood as she becomes a teenage mother and finds herself trying to live in poverty, at odds with her mother-in-law, and responsible for a stepchild. What happened to her hopes and dreams for a creative life?
“South is the direction of release.” Probably the most poetic and visionary of the sections, “South” continues Harjo’s fight to survive but also interprets her dreams and visions as short stories and poems. She creates an interesting mix of fiction and nonfiction in her writing featuring monsters, eagles, demons, and ancestors.
Harjo describes her panic attacks as monsters. She labels the instincts that help guide her decision making as the “knowing.” She refers to her ancestors, those who have passed, as guardians in her life, and she speaks to them through her poetry. This memoir is a mix of what really occurred, her perceptions of those events, and flights of fantasy taken from her dream world; she melds poetry and prose in mind bending impressions.
Crazy Brave personalizes for me the individual and tribal struggles of Native Americans. Although the abuse tied to alcoholism is difficult to read about, it is an important part of Harjo’s experiences and of understanding the Native culture that helped shape her voice as an author and artist.
Notes: Harjo is currently writing another memoir to continue her story where Crazy Brave left off.
Publication: July 9, 2012—W.W. Norton & Co.
Because music is a language that lives in the spiritual realms, we can hear it, we can notate it and create it, but we cannot hold it in our hands. Music can help raise a people up or call them to gather for war.
Though I was blurred with fear, I could still hear and feel the knowing. The knowing was my rudder, a shimmer of intelligent light, unerring in the midst of this destructive, terrible, and beautiful life. It is a strand of the divine, a pathway for the ancestors and teachers who love us.
It was in the fires of creativity at the Institute of American Indian Arts that my spirit found a place to heal. I thrived with others who carried family and personal stories similar to my own. I belonged. Mine was no longer a solitary journey.
The Tale Teller
by Anne Hillerman
Many years ago I read Tony Hillerman’s mysteries, eagerly awaiting the publication of each new one. Then after a hiatus, I rediscovered the Navajo world I had been missing—Shiprock, the Rez, and officers Leaphorn, Chee, and Manuelito. This time the storyline has been picked up by Anne Hillerman, Tony’s daughter. With eight books to her credit, four of which continue the plot lines established by her father, Anne Hillerman is a formidable successor to her father.
The Tale Teller weaves a plot as complicated as any mystery I have read, using the same main characters Hillerman fans have come to love. The Navajo culture is portrayed accurately including some basic Navajo words to enhance the Native ambiance in the story. The setting is the Four Corners region of the Southwest in all its dusty, gritty heat of July. The characters have just enough predictability to cause readers to smile and nod, but not so much that there are no surprises. In fact, the plot provides so many of those that your head will be spinning trying to keep up.
Lieutenant Leaphorn is hired to discover what happened to some missing donations to the Navajo museum. Bernie and Chee help solve a murder. Sorting out truths from deceptions is never easy, and it certainly isn’t in this mystery with a surprise ending.
I would like to extend my thanks to netgalley.com and to HarperCollins Publishers for giving me the opportunity to read this book in exchange for an honest review.
Category: Mystery, Police Procedural
Publication: April 9, 2019—HarperCollins
“My philosophy is when someone says something sweet to me, I believe it. It balances those times someone said something mean and I believed that.”
“They aren’t teaching cursive writing much anymore. My daughter just prints and types. But she’s learning to speak Navajo in class and that’s more important. You can’t expect the schools to do everything.”
Leaphorn knew what it was like to miss someone, how the numbness of shock fades into profound, bone-deep loneliness.